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Stoneburner strikes again—this time armed with the tactical precision of producer Mark Alan Miller (Out Out). The result?
A brutalist masterpiece that lurches out of the smoldering wreckage of civilization with wires exposed and teeth bared. Steven Archer lovingly brands this a Post Industrial record, but don’t be fooled by the label—it’s less genre, more declaration of war.
This is music for the blacked-out grid, for concrete ruins pulsing with rogue AIs and anarchist code. It’s heavy. It’s intense. It’s merciless. Archer and Miller don’t just hold up a mirror to our fraying social fabric—they tear it down and torch it for warmth.
Miller’s influence doesn’t dilute the chaos; it weaponizes it. He layers structure over bedlam like steel plating over raw nerve, creating a density so refined it feels like navigating a collapsing data stream—new patterns, textures, and threats revealing themselves with every listen.
This is the most cohesive, unpredictable, and downright lethal offering we’ve seen from Steven Archer aka Stoneburner. C4 AMORE isn’t just a record—it’s a transmission from the other side of collapse.
Because let’s face it: the post-apocalypse is a hell of a lot more fun in the movies than in the news.
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